Contributing as a maker to the Ethel Mairet Dye project

Ethel Mairet was a weaver and a natural dyer.  In 1916 she wrote a book about natural dyeing.  In the book's introduction,  she complained that since the advent of the coal based dyes the knowledge of natural dyes had been lost. Coal based dyes were introduced around 1850. This was in 1916 ! She also stated that both natural and chemical dyes fade.   But when natural dyes fade they produce paler shades of the original colour.  Chemical dyes,  she claimed, fade to different colours, generally bad ones. Her book and her work are being celebrated by an exhibition at the Ditchling museum of art and craft.  The exhibition is called " Contemporary makers celebrate Ethel Mairet's legacy. "  I am one of the contemporary makers. As a contemporary maker,  I have to dye a skein of fibre using natural dyes. I can use either a recipe of Ethel's or my own…

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Why natural dye records are important to me 

When I first stepped into the world of natural dyes, I kept no records I just winged it. I have really learned from my mistakes. As I embark on a new batch of dyeing so thought I should go back and look at my natural dye records - good and bad - to see what they could tell me. It was in 2013 that my youngest daughter gave me Jenny Deans book on natural dyeing. This book became slowly my bible.  In May of 2014, I was attracted by a huge mass of blooming dandelions and thought that maybe that would make some lovely dye stuff.  Let's try it! Armed with Jenny's book of recipes I set off to dye some silks and cotton fabric.  I never gave a thought to keeping some natural dye records.  Not one thought.  In fact in 2015 one year later I wrote, against a small sample…

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Time for me to have a radical new natural dye process

When I first started using natural dye material I made all white felt pieces containing other fabrics and fibres and then I dyed the felted textile.  I have decided I need to radically change my natural dye process.  My original all in one natural dye process   My all in one process gives a lovely range of connected shades.  Everything has been dyed with the same plant material.  Lovely but quite limited. Sadly I have also come to the conclusion that it makes boring pieces.  There is not enough light and shade or colour variation to make the pieces exciting.  Shame. My other reason to change   I inadvertently developed two felting methods.  One method for pieces that I planned to be naturally dyed and one for pieces made with pre-dyed materials.  The felt method I prefer to use is the one I used with the pre-dyed materials.  But I really want…

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